Not a lot to say here. A no-frills moment.

COPYRIGHT © FOTO-GRAPHOS. ALL RIGHTS RESERVED. ALL PHOTOGRAPHS BY foto-GRAPHOS ARE PROTECTED BY COPYRIGHT LAW. NO IMAGE MAY BE USED, EDITED, REPRODUCED, TRANSFERRED, PUBLISHED OR DISTRIBUTED IN ANY FORM OR BY ANY MEANS WHATSOEVER WITHOUT PRIOR WRITTEN PERMISSION FROM THE ARTIST. THIS SITE CONTAINS FINE ART PHOTOGRAPHIC IMAGES OF MALE NUDITY AND MAY BE INAPPROPRIATE FOR SOME VIEWERS.
Showing posts with label male nude. Show all posts
Showing posts with label male nude. Show all posts
Monday, June 11, 2012
Saturday, June 9, 2012
A 21st Century Olympia
In 1863, Manet exhibited his "Olympia" in Paris, and caused a scandal. Instead of the coy, sentimentalized Venus figure of tradition, he chose to portray a contemporary flesh and blood woman, staring uncompromisingly out of the canvas at the viewer.
The modern museum-goer has long been inured to the realistic portrayal of the female nude, but still has a way to go with the nude male.
Here is my contribution to the evolution of the form. The model stares out without apology or artifice; he is what he is.
Here is my contribution to the evolution of the form. The model stares out without apology or artifice; he is what he is.
Wednesday, June 6, 2012
Saturday, April 28, 2012
Bend Over Forward
Another entry in the Kinsey Exhibition. I think it speaks for itself.
I like to skirt the boundaries of eroticism.
Tuesday, April 24, 2012
Nude with trainers
I am honored once again to be included in the Kinsey Institute Juried Exhibition 2012.
This is the third exhibition in which I have been included. Ordinarily I hate entering competitions - I'm a very sore loser - but I told myself this time that since I had already been accepted twice it didn't really matter. But it did!
The photograph came from a very intense session with this model, that began at about 9 in the evening and went on until nearly 3 in the morning, during which we collaborated in a series of grueling concepts ranging from hanging from the rafters by his wrists to doing gymnastic turns on a suspended rope to crawling nude through piles of dirt to being hosed down and brought back into the studio for dance poses.
This image came at the very end of the shoot, when we were both exhausted and exhilarated, and had gotten down to basics. There is no pretense or posing here; just raw beauty.
I continue to enter this competition because I have such respect for the Institute and its vision. Their collection of 20th century photography is second to none, and I am very proud to have six of my own images in the collection.
Search "Kinsey Institute Exhibition" for more information and photographs and videos of past shows.
Saturday, March 17, 2012
Thursday, March 15, 2012
Wednesday, March 14, 2012
Figure in the studio
For no particular reason, a figure from a studio session with one of my favorite models, Darin.
I enjoy the romance of natural light when I can get it.
I enjoy the romance of natural light when I can get it.
Tuesday, March 13, 2012
THE TRANSFIGURATION OF EROS
Some of you may have noticed that I've taken a break, which began with the holidays but has extended somewhat. Thank you for your continued viewing.
When I began this Blog I organized it in roughly chronological order, beginning with my earliest work on film and continuing into digital.
Now that I am into the present, this order does not seem to make sense, so I have been searching for a new organization - by model, by session, by theme - but I have not made a decision.
It is possible that I will not "organize", but simply post images as they occur.
The first example, below, was done for an upcoming exhibition,"Uncensored:Queer Art and the Church" Leslie-Lohman Gallery, NYC.
It is a digital photograph superimposed onto a religious illustration by an unknown artist.
Monday, January 23, 2012
Thursday, January 12, 2012
David, Blindfolded
Another attempt with the blindfold, this one in the studio.
I consider this one a success for a number of reasons.
I consider this one a success for a number of reasons.
Shot with one light source.
Friday, January 6, 2012
David on White
Another from this session. We seem to do better when he isn't facing the camera.
Studio shot with high-key lighting.
Tuesday, January 3, 2012
David, with a straw hat
OK, it's a new year, and we pick up where we left off:
Back to David (Sunday, December 4, 2011) In a continuing search for a pose that made him comfortable, we tried this studio set-up, with a straw hat.
Back to David (Sunday, December 4, 2011) In a continuing search for a pose that made him comfortable, we tried this studio set-up, with a straw hat.
Shot in studio light on a white paper drop.
Saturday, December 17, 2011
Sunday, December 11, 2011
Let it snow!
I do love the holidays, and these are fun! They exercise my design muscles.
Figure shot in the studio; everything else is CG.
Monday, December 5, 2011
Sunday, December 4, 2011
Friday, December 2, 2011
Figure in Bed
We tried everything. Here is our attempt at a sexy boudoir shot.
Now that I look at it again, it's not bad, for what it is.
Now that I look at it again, it's not bad, for what it is.
Shot in low light, desaturated color.
Thursday, December 1, 2011
David, Blindfolded
We discussed the problem of facial expression at length, and David thought perhaps it was simply that he was shy of the camera, so we tried a blindfold.
Wednesday, November 30, 2011
David, fireplace
I know it may seem I'm picking on David, but I'm really not. I've always felt that a good photographer can photograph anyone, regardless of his or her expertise as a model. David presented a challenge, and as an artist and photographer, it was a problem I wanted to solve.
Besides the issue of his expression, David was tall and angular, with few curves, and he was not experienced enough to know how to break up his lines.
Here I have posed him in an attempt to alleviate these issues, but it seems forced.
Besides the issue of his expression, David was tall and angular, with few curves, and he was not experienced enough to know how to break up his lines.
Here I have posed him in an attempt to alleviate these issues, but it seems forced.
Subscribe to:
Posts (Atom)